Giving Tuesday 2025
With your help we’ve been making progress in our mission to:
“collect, archive, and share documentation of the Outer Cape’s
exceptional modern architecture, restore a group of important,
endangered modern houses, and relaunch those houses as platforms
for new creative work”
This year we completed the the Breuer house restoration and secured its
future. We hosted Tom Burr as the house’s first artist in residence and we
are hard at work on the huge project of preserving and cataloging the
Tamás Breuer Photographic Collection. For more on this see below.
Please remember us in your end of year giving.
The Breuer entry deck, before and after.
The Tamás (Tom) Breuer Photographic Collection
When CCMHT purchased Marcel and Connie Breuer’s summer home and its
contents in 2024, it also acquired more than 2,000 rolls of film shot by their son,
Tamás (Tom) Breuer between the mid-1960s and mid-1980s. CCMHT holds the
most comprehensive and significant archive of materials related to Cape
modernism, and this acquisition expands the archive with an intimate, decades-
long photographic account of the Breuer family’s life and their social milieu, both
local and international.
This remarkable collection includes pictures taken in Africa, Europe, and New
York City, but the vast majority are elegant, keenly observed black-and-white
photographs of daily life in Wellfleet. While a few of these images circulated
locally, most remained as unprinted negatives, unseen even by the people who
appear in them.
Tom’s photographs proved invaluable during the restoration of the Breuer house,
documenting the building and its interiors as they evolved, including additions,
furnishings, art, and how, over the years, those objects shifted around in a lived-
in home. They also record the surrounding landscape before decades of erosion,
tree growth, and human activity reshaped the ponds, beaches, and woods.Most importantly, the archive reveals the private world of the creative community
that surrounded the Breuers on the Cape. Tom recorded quiet domestic
moments as well as lively gatherings that brought together Bauhaus luminaries
with local artists, writers, and friends. Tom’s technique of taking multiple, rapid-
fire frames of the same subject creates a cinematic effect, as though someone
was shooting a decades-long documentary.
It has been said that if a bomb had fallen on Wellfleet in any August of the
1960s, American cultural life would have come to a grinding halt. The designers,
artists, writers, and political thinkers who congregated there each summer had
an outsized global influence, but deep in Wellfleet’s backwoods, they sought
peaceful isolation. These pictures pull back the curtain on their unseen world.
To make this significant photographic collection accessible to scholars and
the public, each roll must be cleaned, put in acid-free sleeves, scanned,
and recorded in a database noting subjects, locations, and other essential
information that makes them searchable using a variety of criteria.
Since 2023, we have also been conducting recorded Zoom sessions with
surviving family members of the individuals pictured, gathering context and
stories about the scenes depicted. The process is often emotional, as
participants are, in many cases, seeing these pictures of themselves and their
loved ones for the first time.
Select images from the collection have already appeared in books, articles, and
documentary films. Yet countless important photographic archives are lost each
year as creators pass away or as homes change hands. Many families simply
lack the time, resources, or equipment to preserve such materials.
CCMHT is fortunate to hold the rights to this collection—and fortunate that the
negatives survived years of neglect. The recent discovery of at least 400
additional rolls of negatives among the Breuer House materials makes this
archive even more significant, and the need to preserve it even more urgent. The
work of cleaning, digitizing, and cataloging each roll is painstaking, labor-
intensive, and costly. Much of the progress so far has been achieved through
the dedicated efforts of paid interns and our executive director, Peter McMahon.
Through an accident of fate, this important cultural asset has been saved. As
part of our stewardship of the Breuer House, and in keeping with CCMHT’s
mission to preserve and share the history of modernism on the Cape, we are
committed to ensuring that Tom’s photographs are fully digitized and made
accessible to scholars and the public.
This archive holds tremendous potential for:• Scholars researching the history of modernism and the many notable
individuals depicted
• Studies of the Hungarian and Jewish avant-garde diaspora
• Scholars and scientists examining the changing ecology of the Outer
Cape
• The Town of Wellfleet’s Historical Society and Historical Commission and
anyone else interested in local history, for detailed records of people,
buildings, and local infrastructure
Watch this space for more news on the archive.
Happy Holidays!

